I have a small surplus of pieces that came from commissions and projects that the client(s) failed to make payment for. I try to hang on to them for as long as possible in case the delinquent account does pay up, but this one has been waiting a couple of years. So, I assume they’re never coming back for it.
Here, then, is a wise Chinese-like sage, armed against those who would sass him. I thought he came out great, but I guess the person who contracted for him did not, leaving him a sad, awesome orphan…
I was looking through some old sketchbooks today and I came across a few pieces that I believe I previously rejected for posting on this blog, but now like for one reason or another. So, as the new year approaches, I thought I’d get the old out and make room for new drawings in 2015. I know that makes no sense, but just enjoy this drawing and try not to think about it too much.
I made this guy when I was trying to come up with my own Evangelion bot. Somewhere along the way I drifted off in another direction, and ended up with this design. I don’t know why I never posted him before, as I think he looks pretty neat.
John Scalzi got me again. This time, while reading Zoe’s Tale, I became obsessed with what the wild, native werewolves on some alien world look like, only to find no other reference online. So, I’ve made my own again. In the book, they are intelligent and four-eyed, but not in a nerdy way. They hunted the human colonists at times, though, and so got introduced to modern weaponry from time to time…
The line work was done by hand, cleaned up with good ol’ Adobe CS5, and then I colored a print out on marker paper with my trusty Copics.
Remember this one? A dedicated fan (hi, Milutin!) asked if I had a version of this spacesuit with suped-up arms, and I felt inspired to comply.
I always loved how out-of-poportion Mignola’s Hellboy is. That giant arm just makes him great. So, I definitely was influenced by that character when updating this design. I seriously thought about adding a gun on that right arm, but since I was going over-the-top on this one anyway, I thought I should just add the one thing no one concerned with the integrity of an environmental suit would have near them: Chainsaw!
You need those is space a lot, right?
I love reading sci-fi. Something about those fantastic, new worlds where anything can exist just makes my day. After reading so much of it, though, I notice that it’s hard to surprise me anymore. One of the best ways to keep my imagination engaged is to feed me a little information without overdoing the details. You know it’s a good sci-fi story when the characters development is strong enough to carry the reader along without a full description. I noticed this in Dan Simmon’s Hyperion/Endymion books and even to some degree in Frank Herbert’s Dune novels.
Even the best writers can leave you wanting though, and I desperately want to know what the aliens look like in John Scalzi’s “Old Man’s War” series of books. Specifically, what the hell do the Obin look like?!
I finally gave up trying to find a detailed description or image online and just made my own. This is how I picture the Obin when I read Scalzi’s books, which are really great.
They’re described in the books only as a cross between a hermaphroditic spider and a giraffe, but they often send the human characters into a fearful tizzy. Picture these guys speaking in humorless monotones, fearless, but with hearts of gold. Kind of…
The past month has been very busy. I wish I could say that it was all drawing, but it was just the opposite. Very quickly, my girlfriend I decided to quit our jobs, pack up everything in our San Francisco apartment, and move out east into a cute little house in Rochester, NY. So, I’m pretty far behind on several projects. I always tell myself that I’ll draw en route and bring lots of supplies with me, but I rarely do. Here’s what happens when I try to draw on my iPad while traveling:
Working on issue #4 of Father Robot, and I had need to whip up this little piece to reference Reggie facing straight at the viewer. Just thought I’d share…
One of the biggest hurdles to humans traveling the stars is radiation. Unless we’re willing to line our spaceships with lead, all our interplanetary travelers will be continuously subject to high doses of cosmic energy. I guess one way to keep people safe would be… better space suits!
To that end , I have set out to design the perfect cover for those poor, over-exposed solar sailors. If you look through this blog you’ll see some of my better concepts. However, this is not one of them:
As you can see, this unfortunate astronaut seems to gotten the worse of it somewhere. I was afraid to ask him whether the seals failed, letting in zero gee flames, or maybe the radiation protection wasn’t thorough enough. Either way, I’m afraid he’s suffered…
Still alive, though!
With this rig, you’d be ready for anything.
I wanted this space suit to have the look of “too much” room inside the helmet. One thing that always bugs me about the space suits I see in movies, comics, and even my own artwork is that it always looks like the person’s head is going to bounce off the inside of the helmet if they got a good shakin’. Unless the neck is being secured by some kind of collar, there’s still many degrees of head movement, and in the rough environments these suits are made for, one is going to end up getting a bruise from numerous smacks against that protective covering.
This design would not only keep that from happening, but leaves lots of room for screens, cushioning, windows, and communication equipment. Since the technology involved with such suits would be able to see the surroundings better than the human eye (through thick glass), the front-facing port is above the wearers head and service a camera. The person inside has a screen in center-view, and would be able to take advantage of a range of vision types.
I got the look I wanted for this one by drawing the suit by hand, scanning it into the digital realm, and then printing out several copies of the lifework on marker paper. I then did the value and local color separately, with Copic markers, combined them in Photoshop, and did a little clean-up and tweaking to get the image you see here. It was lots of fun.